17 May 2013

How to Camouflage Meaty Upper Arms

Dear Lissy,

One of my favorite memories is little two year old Lissy perched on the couch looking through clothing catalogs that arrived in the mail.  You'd ponder each page and then declare "Cute shirt!" or "I like DAT".  You've had a distinct fashion sense since you were itty-bitty, and I love seeing you express your own personality and creativity through your clothing choices.  I'm writing you this letter today because this is something I refuse to talk to you about while you're young.  Our body image can be marred for life by childhood impressions.

As you have probably discovered by now, you inherited meaty, shapeless limbs from both sides of our family.  Whether our women are size 6 or 16, we have large arms and legs for our size.  Even when we work out, we get very little definition in those areas.   Most American clothing brands have terrible cuts and shapes for this body type. Even the popular fashion shows on T.V. seem not to be aware that big, shapeless upper arms and legs drastically affect fashion choices. I'm often left wearing clothing that is far older and more conservative than my taste.

Enter Brit fashion.  The Brits are great at the art of re-directing the eye. I've finally learned why I can't find a skirt, dress, or pant profile that works with my shape, no matter what size I am.  Short legs and a high waist require very specific style choices, or you end up with a bum the size of the Disney parking lot. Ditto meaty upper arms.  The Fashion Rules from a popular Brit show gave me a whole arsenal of ideas to help downsize that problem area. The idea isn't to just cover the problem, it's to redirect the eye. 

A basic rule of portrait photography is that skin draws the eyeWhen you control where skin shows, you control where the eye goes!

Break up the large, rectangular,expanse of fabric at the top 1/3 of your body.
  • Look for deep vee, square, or sweetheart necklines.  Avoid turtlenecks, jewel neck, boatnecks, or high necklines which create an enormous expanse of fabric.  Take as much care of your decollete as you do your face.  Layer a tank or cami if needed for modesty.
  • Wear bolder earrings and longer, bolder necklaces or scarves.  
  • Halter tops with wide straps that fasten behind the neck to create a strong diagonal line are the only sleeveless tops that will work if your arms are a larger size than your body.  I prefer not to wear strappy or sleeveless styles at all now that I'm over 40.
  • An asymmetrical short sleeve hem created by pleats, gathers, or ruching is more pleasing than a straight horizontal hem.  Avoid sleeve hems that fall right at your bust line.
Keep your waist well defined.
  • Wear excellent undergarments that lift your bust.
  • Look for sleeves that end right at your waist or well past your hip.  Depending on the length of your arms and the height of your waist, that will vary.  If you're being photographed, long sleeves are almost always the best choice.
  • Look for sleeves with interesting details at the cuff.  A ruffle or trumpet cuff is particularly flattering.  Watch out for a-line sleeves that visually widen the upper arm.
  • A jacket, shirt, or cardi layer is an excellent choice to cover the upper arms and reduce visual bulk on your upper half, but  keep the waistline distinct, especially in the back of the garment.  Avoid having the bottom hem fall across the widest part of your hips and bum -- always check the fit in a full-length mirror.
  • If you choose to wear a suit jacket, look for sleeves with a feminine, unboxy silhouette, a narrow lapel, and a distinct waistline.
  •  Tops with vertical seaming, darts, and a nipped in waist are imperative.  Boxy shirt, dress, or jacket styles that fall straight from under the arm to the hip make you look like a refrigerator. 
  •  Shoulder pads usually don't work, but sometimes they give a better line visually if the shirt or suit has a closer, tailored fit.
Choose sleeves and jewelry that give the illusion of a properly proportioned arm.
  • A shorter sleeve can work if it's full enough to leave a visible gap between the cuff and your arm. Most knits can be steamed and blocked to add fullness.
  • Avoid wide, boxy cuffs that end at the widest part of your hip.
  • While it seems a bit counter-intuitive, delicate bracelets are more slimming than cuff-style. If you wear a watch, choose a delicate style that fits above your wrist bone.
  • Avoid very large or small prints.  A medium print or stripe can be very flattering.
  • Look for fabric with structure or enough fullness. Avoid thin, clingy materials.
  • A vest (when in style) works if the armholes are cut in to create a curve and the bottom hem accentuates the waistline.  Avoid puffy vests like the plague.
  • Shoulder seams that curve into the body of the garment or cut in at a diagonal are much more flattering than straight horizontal seams.  Dropped shoulders are an exquisitely awful choice.
  • A flutter sleeve can work if it's made from a soft, fluid material.  Beware of crisp cottons or denims that create an illusion of bigger arms.
  • Never, ever wear a top with sleeves that are snug or have a strangulating band/elastic at the hem.
  • Ask a friend for a second opinion on a shirt with puffed or full sleeves.  Sometimes they look wonderful and sometimes they're horrid.  As a general rule, chiffons, silks and softer fabrics are slimming, woven cottons and linens are not.
So what's the worst possible garment?  A man't T-shirt, with bonus points if it's snug through the arms and hips. The high neckline, dropped shoulder seams, boxy sleeves, and dead straight body shape are truly horrible for someone with big arms from any angle.  If you have any doubts, look through the 7 years of pictures from Cub Scouts when I was wearing the unit's unisex tee.  Ugh!

The best?  Try to buy tops that incorporate at least two of the design ideas above, and remember that a smile and sparkling eyes are always your best accessories.

Arms were made for hugging,
Momma

15 May 2013

Bee Bop A Roo Ba! Strawberry Jell-O Rhubarb Pie

Dear Lissy,

Our heirloom rhubarb is the first crop we harvest from our garden each year,This early season custard pie uses rhubarb and strawberry Jell-O for an economical treat.  Serve it with whipped cream or ice cream and a cuppa strong coffee. 
We garnished the pie with spring violets and lemon zest today.
Pie Crust
from Allrecipes.com
1-1/2 cups (6-1/2 oz.) flour
Pinch salt
1/2 cup lard 
3-4 Tbsp. cold water

Combine flour and salt in a large mixing bowl.  
Cut in the lard until mixture resembles coarse crumbs.  
Sprinkle in water a little at a time until the pastry holds together.   
Shape into a ball and chill for 30 minutes.
On a lightly floured surface roll the dough to about 1/8" thick.  Transfer to a 9" pie plate and flute the edges.  Fill and bake as directed.  

Strawberry Jello Rhubarb Pie
from ManTestedRecipes.com
1-1/4 cup sugar
2 Tbsp. flour
1 Tbsp. butter
2 Tbsp. water
2 beaten eggs
1 (3 oz) package strawberry Jell-O
2 cups chopped rhubarb
1 unbaked pie shell (see above)

Preheat oven to 375 degrees F
Combine all ingredients in large mixing bowl.  Pour into unbaked pie shell.  Use foil strips or pie shield to protect fluted portion of crust.
Bake for ~ 1 hour until bubbly and thick.   Remove from oven and cool.  
Serve warm with ice cream or room temp with whipped cream 
      
 This recipe was the closest I could find to the rhubarb pie Grammy Bea used to make for Daddy when he was little.  He's been missing her a lot lately, and sometimes a bit of nostalgia goes a long way.
 
Pucker up, Princess!
Momma

14 May 2013

Scrap Quilting by Hand, Part 5: Photo Tutorial Preparing Pieces

Dear Lissy,

Transitioning from a pattern and fabric to pieces ready to sew is a fairly simple process.  This skill is easiest to learn when you see it, though.  This method is one I discovered on Candy Goff's quilting site years and years ago.  It's worked very well for me, so I'm passing it on to you.
Rotary cutting is the fastest and easiest way to prepare pieces.  RC requires special equipment and skills, however.  I recommend buying a good resource like Nancy Johnson Srebo's, Measure The Possibilities.  Even if you rotary cut, you still need templates!      
Pre-made template patterns are common if you choose a block from a book or magazine.  If you draft your own template patterns, remember to include both a sewing and a cutting line.  
To make a pattern into a template, you need heavy template material (shrinky dink plastic is ideal), an extra-fine point Sharpie, and a straightedge.  Lay the template material over the pattern, and make tiny dots at the corners of the piece.  Place the template material on a flat surface, and connect the dots using the straightedge.  Lay the template back over the pattern to double-check accuracy.   
Now carefully add dots at the corners of the sewing line, and along the sewing line if desired.  These dots, not the edge of the fabric, provide accuracy when hand piecing.  Label the template with the name of the pattern and the name of the piece (usually a letter).  Finally, add the grain line. 


Using a razor knife, mat, and straight edge or precision craft scissors carefully cut out the templates. Double check the finished template by overlaying it on the paper pattern. 
If two pieces need to match, overlay the templates and make sure the match points are exactly lined up. See how they're a little bit off at the top?  I'll make a new match point with a different color Sharpie.  We need pin-point accuracy here.

Use an ice pick or awl to drill holes for the match points and sewing lines.  

Use the completed template to overlay rotary cut pieces and mark the match points.  Don't worry if the cut edge doesn't line up exactly with the template as shown above.  The dots, not the cut edge, provide the accuracy with this method of hand piecing.  

To prepare a piece directly from the template you will need your template, fabric, a pencil, tailor's chalk (optional) and scissors.  This process is easiest on a sandboard, but any rough-ish surface will work.    

Place the fabric wrong side up, and align the grain with the arrows on the template.  Mark around the outside of the template with chalk or pencil, and then carefully mark the dots with pencil.  Very dark fabric requires a light colored pencil.  It often makes a nice effect to center a motif like I have above.  On this piece, I wanted the tip just a little bit lighter than the rest of the piece.  This is called "fussy cutting."   

Cut out the piece just inside the chalk or pencil line.  Mark the match points using the holes you drilled in the template earlier.  Don't mark the sewing line yet -- we'll be doing that as we go.
Store your pre-cut, dotted pieces in a clean, dry, organized fashion.  I usually cut 3-5 blocks worth of pieces at a time.  This is a placemat into which I've sewn several Ziploc bags.  I often store pre-threaded needles and a couple of pins inside the front cover, and a thimble and thread snips in one of the pockets. 

Tied shut, this simple carrier is only as thick as the grosgrain ribbon I used to hide the seams.  It slides easily into my project bag. 
My sandboard has a felt overlay that allows me to place a block into position to quickly sew it together.  I usually "stage" one block so that I can pull it out of my Omnigrid Travel Case and sew in odd moments.  It may seem silly for a block with only 8 pieces, but your baby quilt had 46 pieces in a 12" block, so I really needed it laid out in order not to lose my place.

Well that wasn't too bad, was it?  Be careful and take your time with the templates, and don't stress over the cut edges of the fabric.  Carefully mark match points, and store your pieces so you can sew in odd moments.  Unlike "designer" quilting, scrap quilting gives you the freedom to cut as you go -- there's no danger of running out of fabric.

Sew in Love with you,

Momma

13 May 2013

Scrap Quilting By Hand, Mini-tip: Whack-A-Stash

Dear Lissy,

I belong to an online hand quilting group that passes around photos, tips, and links on a daily basis.  I recently discovered this neat trick which has made a huge difference in how often I'm able to enjoy piecing. I owe the uber-productive Bonnie Hunter a nod for introducing this system on her blog.  After adapting it for hand piecing and using it for a month, I'm sold on the idea.

Problems : 
  • I have a ton of fabric in my stash I love, but I'm not using it because it's stored in totes in the atticMy sewing area was swallowed up by home schooling materials.
  • I choose other activities I enjoy less than piecing to fill my minutes because I don't make the time to get fabric cut and marked for piecing.  Even a fat quarter is on the big side for marking or cutting on the go.
  • I save every scrap of fabric because "I might need it someday."
  • I buy a new fat quarter at a premium even though I know I have a similar shade or color somewhere in my stash because I can't find it quickly.


Solution:  Instead of just washing and pressing most fabric, I've started processing it into 4" squares.  

Why?
  • I already process the fabric by washing and pressing it.  It only takes a few more minutes to cut fabric into squares with a rotary cutter.  A fat quarter nets 20 squares. I can store hundreds of them in very little space.  I also purchased an ARDCO window template years ago that allows me to mark and cut odd shaped scraps from dressmaking and crafting into squares easily.
  • I rarely used my stash for crafting or fashion sewing, but I often used crafting and sewing scraps in quilts. 
  • My ongoing quilt project is an antique pattern for a reversible quilt that requires all 4" squares and no yardage.  My other favorite go-to quilts are 9 patch variations and Irish chains, all of which take 2" squares in abundance.  I can quickly cut 4" pieces into four 2" squares for those quilts.
  • The 4" square is a nice size to work with on my lapdesk if I want to create other pieces.  Quarter and half triangles, rectangles, diamonds, and hexies are all very easy to mark and cut from a square. 
  • 4" Charm squares are easy to sell and mail if you need a bit of extra cash.  
  • Any piece of fabric smaller than 4" square gets passed on or tossed.  That is my minimum "keeper" size.  Yes, it hurts! But I'm actually using my fabric.  Using most of it is much more satisfying than dreaming about all of it. 
  • I get almost all of my fabric for free.  Once machine quilters know you're a scrap quilter, you get gifted with contractor bags full of fabric.  That means that cost isn't an issue.
I haven't cut up yardage of background/backing fabric or border/binding fabric.  I have enough fat quarters and leftovers from sewing and craft projects that I've saved the big pieces.  But who knows?  If I haven't used them in a year or more, I may just whack the yardage into squares, too.

I haven't chosen to pre-cut any other sizes or shapes -- yet.  The 4" square is so versatile for me I haven't considered any other shape at this point.  If I do, I'll pop it into this letter as a p.s.

I'm tickled pink that I'm sewing almost every day now. I love the gentle rhythm of hand work, and find creating much more refreshing than just sitting in front of a screen.  The totes full of 4" squares ready to go (or sew!) regularly call my name.

Sew in love,
Momma